BLOG DESTINADO A POSTAGENS E PUBLICAÇÕES DO MELHOR DA JOVEM GUARDA, MPB E SUAS NUANCES E TENDÊNCIAS MÚSICAIS,ROCK ROLL, BREGA E INTERNACIONAIS.This Blog posts comments and publications of the Best of Brazilian Popular Music. .BLOG DESTINÉ POSTAGENS ET PUBLICATIONS DU MEILLEUR DE JEUNE GARDE, MPB ET LEURS ET TENDANCES MUSICALES, BREGA ET INTERNATIONAUX.
domingo, 18 de novembro de 2012
sexta-feira, 2 de novembro de 2012
MAESTRO CIPÓ - 1963
http://www.mediafire.com/?ycux8awnud1282x
- Love is Many Splendored Thing /On the Sunny Side of the Street
- Cry Me A River/Unchained Melody
- Only You/Blue Moon
- You Belong To Me/I Love You Samantha
- All the Way/ With A Song in My Heart
- Le Grisbi/Together
- Manhattan/ Sonny Boy
- As Time Goes By/Blue Gardenia
sábado, 6 de outubro de 2012
CLÁUDIO e Os Goldfingers
http://depositfiles.com/files/azlutfwyw
01=Goldfinger
02=O homem verde
03=C'era un ragazzo che come me amava i Beatles i Rolling Stones
04=Ciao amore ciao
05=Nãp crie caso
06=Sem ti
07=Falso amor
08=cuore matto
09=There's a kind of hush
10- something stupid
11=Meu grito
12=Acorda Maria Bonita
OS UIRAPURUS
http://depositfiles.com/files/kqfla5sue
01=Como é grande o meu amor por você
02=Viola enluarada
03=Capoeira
04=E por isso corro demais
05=menino de Braçanã
06=A saudade de você
07=Sabiá lá na gaiola
08=Chô chô tristeza
09=Eu vou mandar buscar o meu amor
10=Maria Rita
11=Nuvem branquinha
12=travessia
sexta-feira, 5 de outubro de 2012
domingo, 2 de setembro de 2012
BILLBOARD - 1946
01. Perry Como - Prisoner Of Love
02. Eddy Howard - To Each His Own
03. The Ink Spots - The Gypsy
04. Frank Sinatra - Five Minutes More
05. Frankie Carle - Rumors Are Flying
06. Frankie Carle - Oh! What It Seemed To Be
07. Johnny Mercer - Personality
08. Bing Crosby & The Andrews Sist - South America, Take It Away
09. Dinah Shore - The Gypsy
10. Frank Sinatra - Oh! What It Seemed To Be
11. Perry Como - Surrender
12. Betty Hutton - Doctor, Lawyer, Indian Chief
13. Vaughn Monroe - Let It Snow, Let It Snow, Let
14. Freddy Martin - To Each His Own
15. Kay Kyser - Ol' Buttermilk Sky
16. The Ink Spots - To Each His Own
17. Freddy Martin - Symphony
18. Sammy Kaye - The Old Lamplighter
19. Bing Crosby & Carmen Cavallaro - I Can't Begin To Tell You
20. Sammy Kaye - I'm A Big Girl Now
21. Bing Crosby - Symphony
22. Dinah Shore - Doin' What Comes Natur'lly
23. Sammy Kaye - The Gypsy
24. Dinah Shore - Laughing On The Outside (Cryin
25. Tex Beneke & The Glenn Miller - Five Minutes More
26. Andy Russell - Laughing On The Outside (Cryin
27. Perry Como - They Say It's Wonderful
28. Tex Beneke & The Glenn Miller - Hey! Ba-Ba-Re-Bop
29. Tony Martin - To Each His Own
30. Les Brown - You Won't Be Satisfied (Until
BILLBOARD - 1946
02. Eddy Howard - To Each His Own
03. The Ink Spots - The Gypsy
04. Frank Sinatra - Five Minutes More
05. Frankie Carle - Rumors Are Flying
06. Frankie Carle - Oh! What It Seemed To Be
07. Johnny Mercer - Personality
08. Bing Crosby & The Andrews Sist - South America, Take It Away
09. Dinah Shore - The Gypsy
10. Frank Sinatra - Oh! What It Seemed To Be
11. Perry Como - Surrender
12. Betty Hutton - Doctor, Lawyer, Indian Chief
13. Vaughn Monroe - Let It Snow, Let It Snow, Let
14. Freddy Martin - To Each His Own
15. Kay Kyser - Ol' Buttermilk Sky
16. The Ink Spots - To Each His Own
17. Freddy Martin - Symphony
18. Sammy Kaye - The Old Lamplighter
19. Bing Crosby & Carmen Cavallaro - I Can't Begin To Tell You
20. Sammy Kaye - I'm A Big Girl Now
21. Bing Crosby - Symphony
22. Dinah Shore - Doin' What Comes Natur'lly
23. Sammy Kaye - The Gypsy
24. Dinah Shore - Laughing On The Outside (Cryin
25. Tex Beneke & The Glenn Miller - Five Minutes More
26. Andy Russell - Laughing On The Outside (Cryin
27. Perry Como - They Say It's Wonderful
28. Tex Beneke & The Glenn Miller - Hey! Ba-Ba-Re-Bop
29. Tony Martin - To Each His Own
30. Les Brown - You Won't Be Satisfied (Until
BILLBOARD - 1946
sexta-feira, 31 de agosto de 2012
LAFAYETTE VOL 8 1969
LAFAYETTE VOL 8 1969
1. Aquarius / Let The Sunshine In
2. Chore stanco
3. Não vivo sem você
4. My Cherie amour
5. Aceito Seu Coração
6. Traces
7. My pledge of love
8. Do Outro Lado da Cidade
9. Sugar sugar
10. Everybody's talking
11. Você Vai Ser o Meu Escândalo
12. Midnight cowboy.
2. Chore stanco
3. Não vivo sem você
4. My Cherie amour
5. Aceito Seu Coração
6. Traces
7. My pledge of love
8. Do Outro Lado da Cidade
9. Sugar sugar
10. Everybody's talking
11. Você Vai Ser o Meu Escândalo
12. Midnight cowboy.
domingo, 26 de agosto de 2012
domingo, 24 de junho de 2012
domingo, 20 de maio de 2012
BRICK - 1976
1. Here We Come |
2. Music Matic |
3. Dazz |
4. Can't Wait |
5. Southern Sunset |
6. Good High |
7. Brick City |
8. Sister Twister |
9. That's What It's All About |
10. Dazz [Dazz Disco Mix] [*] |
11. That's What It's All About [Single Version] [*][Version] |
domingo, 13 de maio de 2012
segunda-feira, 20 de fevereiro de 2012
CAIXINHA DE PEDIDOS VOL. 37
Chegamos a Caixinha de Pedidos Vol. 37. Desta feita não vou colocar o nome das músicas e bem como mudei o modelo da caixa que agora tem formato de presente. Uma dica bem quente é formada totalmente por músicas dos anos 60,S.
terça-feira, 31 de janeiro de 2012
sexta-feira, 27 de janeiro de 2012
segunda-feira, 23 de janeiro de 2012
Los Modulos - Realidad - 1970
Nos encontramos ante uno de los larga duración imprescindibles en la historia de la música española. Si hubiera que encasillarlo, su categoría indiscutible sería, si tal estilo existe, la de pop barroco. Fue el primer LP y el más vendido del grupo. Probablemente también el de más calidad.
Esencialmente es un álbum de baladas primorosamente interpretadas, que descansan sobre dos cimientos básicos: la voz de Pepe Robles en su mejor momento, plena de vibratos y capaz de alcanzar cualquier nota sin falsete ni forzamientos, y el Hammond de Tomás Bohorquez que transita desde Juan Sebastian Bach hasta Jon Lord, de los Deep Purple, sin debilidades técnicas. La estructura no difiere demasiado entre unos temas y otros. La mayoría comienzan con un largo preludio instrumental que desemboca en la primera estrofa cantada. Entre estrofas y, en ocasiones, al final del tema se producen solos de guitarra u órgano cargados de expresividad.
"Realidad", el tema que abre y titula el disco, comienza con una tensión creciente iniciado por bajo y timbal a la que se suman progresivamente el hammond, los platos y la guitarra, que configuran un ritmo que se mantendrá con escasas variaciones hasta el final. Sobre ese ritmo se desarrollo el tema con continuas apariciones solistas del órgano y un final un tanto abrupto. "Noche de amor" se inicia con un solo de violín clásico al que pronto se suma el órgano configurando un ambiente de cuento de hadas. El desarrollo instrumental es indudablemente clásico con un fuerte acelerando final. La voz, como en todo el disco, magistral.
Uno de los únicos temas reconocibles como pop sesentero es "Luz errante" lo cual no es malo ni mucho menos, con un frenético ritmo de guitarra y un final vocal un tanto jazzero con improvisación incluida.
"Cuando te espero" es el tema acústico del álbum, solamente el violín de Reyzabal, la voz y el rasgueo de acústica de Robles, un tenue bajo y una tenue aparición del piano. Lástima de letra lacrimógena que le colocaron. En "Dulces Palabras" de nuevo alarde vocal sobre una instrumentación ambiciosa y con cambios muy marcados.
Se incluyen dos versiones de los Beatles: "Yesterday", revisión del superclásico beatle con un larguísimo inicio clásico y una voz quizá un tanto dubitativa. Peca de excesiva extensión para mi gusto. Y "Hello goodbye", con un inicio de coro a capella en plan góspel que se ve roto por un órgano y una batería un tanto agresivos, y que se remansa en un arpegio de guitarra interrumpido por una larga intervención del órgano. Voz etérea con un vibrato tal vez excesivo, pero para mi gusto, una gozada muy poco conocida.
De "Todo tiene su fin", decir que es una de las tres baladas más importantes del pop español. Pura caricia sonora. La cosa se inicia con un órgano eclesiástico al que se une un coro plañidero cargado de eco. La voz destila calidad a cada nota y una complicada línea del bajo la subraya. Un breve solo de guitarra distorsionada que se repite dos veces y un continuo sube y baja en la densidad instrumental que consigue una tensión y reclama la contínua atención del oyente con un final de nuevo con el órgano catedralicio en plena ebullición acompañado por redoble de platos. A destacar la aparición de un par de trompas en el clímax del tema para reforzar al órgano.
Por favor escuchen esta canción en su versión original. Nunca serán cuatro minutos perdidos.
Hispavox
- Realidad
- Noche de amor
- Luz errante
- Yesterday
- Todo tiene su fin
- Cuando te espero
- Nada me importa
- Dulces palabras
- Hello goodbye
sexta-feira, 20 de janeiro de 2012
The Jimmy Castor Bunch
terça-feira, 17 de janeiro de 2012
DARA PUSPITA
Dara Puspita (Flower Girls) was Indonesia’s most successful girl band of the 1960s. While there were many popular female vocalists in Indonesia at that time, they nearly all relied on the services of a backing band. Dara Puspita was one of the few girl groups who actually played all their own music as well.
Dara Puspita hailed from the city of Surabaya in East Java and first formed in 1964 with the line-up of sisters Titiek Adji Rachman (Titiek A.R.) on guitar and Lies Soetisnowati Adji Rachman (Lies A.R.) on bass, along with Susy Nander on drums and Ani Kusuma on rhythm guitar. In April 1965 Lies left the band for a month to finish school and was replaced on bass by Titiek Hamzah. When Lies returned she took the place of Ani on rhythm guitar and Titiek Hamzah stayed on as bass player. It was with this line-up that the band set out to conquer the world.
In 1965 the band relocated to Indonesia’s capital, Jakarta, and soon gained a reputation as a sensational live act, bashing away on their instruments, screaming out their songs and jumping up and down. Even though it was often hard to hear the songs through all the mayhem, audiences thought it was great and often joined the band to dance around on the stage.
The band’s stage act and the songs they played were clearly influenced by contemporary British bands such as the Beatles and the Rolling Stones, whose music at the time was banned in Indonesia. The Jakarta band Koes Bersaudara (Koes Brothers) was actually put in gaol for playing rock and roll, but it seems that Dara Puspita was never seriously troubled by the authorities, although they were warned not to perform Beatles’ songs. Dara Puspita had a number of close connections with Koes Bersaudara: members of KB wrote a number of songs for Dara Puspita, KB’s singer Yon was romantically linked with DP’s drummer Susy, and the two bands sometimes appeared on the same bill. The bands actually appeared together on the night that was to lead to Koes Bersaudara’s arrest and imprisonment.
Dara Puspita hailed from the city of Surabaya in East Java and first formed in 1964 with the line-up of sisters Titiek Adji Rachman (Titiek A.R.) on guitar and Lies Soetisnowati Adji Rachman (Lies A.R.) on bass, along with Susy Nander on drums and Ani Kusuma on rhythm guitar. In April 1965 Lies left the band for a month to finish school and was replaced on bass by Titiek Hamzah. When Lies returned she took the place of Ani on rhythm guitar and Titiek Hamzah stayed on as bass player. It was with this line-up that the band set out to conquer the world.
In 1965 the band relocated to Indonesia’s capital, Jakarta, and soon gained a reputation as a sensational live act, bashing away on their instruments, screaming out their songs and jumping up and down. Even though it was often hard to hear the songs through all the mayhem, audiences thought it was great and often joined the band to dance around on the stage.
The band’s stage act and the songs they played were clearly influenced by contemporary British bands such as the Beatles and the Rolling Stones, whose music at the time was banned in Indonesia. The Jakarta band Koes Bersaudara (Koes Brothers) was actually put in gaol for playing rock and roll, but it seems that Dara Puspita was never seriously troubled by the authorities, although they were warned not to perform Beatles’ songs. Dara Puspita had a number of close connections with Koes Bersaudara: members of KB wrote a number of songs for Dara Puspita, KB’s singer Yon was romantically linked with DP’s drummer Susy, and the two bands sometimes appeared on the same bill. The bands actually appeared together on the night that was to lead to Koes Bersaudara’s arrest and imprisonment.
terça-feira, 10 de janeiro de 2012
terça-feira, 3 de janeiro de 2012
Rory Gallagher - Calling Card - 1976
Digitally remastered edition of the Irish guitar legend's 1977 album. Rory's eighth solo album, Calling Card was recorded during 1976 at the famed Musicland Studios in Munich. All of Rory's previous releases had been self produced, for this album he was keen to find a producer who had an affinity with traditional Rock values but who was open to new ideas. Roger Glover, Deep Purple's bassist, offered his services to Rory, seeming to be a perfect candidate to produce the album. The band, Gerry McAvoy on bass, Lou Martin on keyboards and Rod de'Ath on drums added the final element to the `creative' mix. In the three years they had been performing together they had grown into a formidable band. This was the fifth and last release featuring this classic line-up.
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